Monday, December 3, 2007

At Thanksgiving dinner David Shankbone told his white middle class family that he was to interview Reverend Al Sharpton that Saturday. The announcement caused an impassioned discussion about the civil rights leader’s work, the problems facing the black community and whether Sharpton helps or hurts his cause. Opinion was divided. “He’s an opportunist.” “He only stirs things up.” “Why do I always see his face when there’s a problem?”

Shankbone went to the National Action Network’s headquarters in Harlem with this Thanksgiving discussion to inform the conversation. Below is his interview with Al Sharpton on everything from Tawana Brawley, his purported feud with Barack Obama, criticism by influential African Americans such as Clarence Page, his experience running for President, to how he never expected he would see fifty (he is now 53). “People would say to me, ‘Now that I hear you, even if I disagree with you I don’t think you’re as bad as I thought,'” said Sharpton. “I would say, ‘Let me ask you a question: what was “bad as you thought”?’ And they couldn’t say. They don’t know why they think you’re bad, they just know you’re supposed to be bad because the right wing tells them you’re bad.”

Friday, September 9, 2005

New Orleans, Louisiana —After Category 4 storm Hurricane Katrina slammed into New Orleans, on the night before August 29, 2005, several flood control constructions failed. Much of the city flooded through the openings. One of these was the flood wall forming one side of the 17th Street Canal, near Lake Pontchartrain. The U.S. Army Corps of Engineers (USACE) is the primary agency for engineering support during such emergencies. A USACE team was assessing the situation in New Orleans on the 29th, water flow was stopped September 2nd, and the breach was closed on September 5th.

Saturday, June 11, 2005

The inflation rate in Ireland, as measured by the Central Statistics Office (CSO), edged upwards to hit a five month high in May at 2.4%. This represents a 0.2% rise on the previous month when the rate stood at 2.2%.

The major contributors to the rise were increased transportation, healthcare, and education costs. In April the EU25 average rate of inflation was 2.1%, with Latvia having the highest rate at 7.1% and Sweden the lowest at 0.4%.

Despite the increase in the rate, Irish inflation remains very low – having hit 7% during 2000 and remaining around the 5% until the beginning of 2003. Another major factor easing any worries about the increase is Ireland’s very strong GDP growth – expected to be around 5.5% this year

On an annual basis the cost of footwear and clothing have fallen by 2.7% whilst energy costs have soared by 10.4%. The cost of food, furniture, and communications also fell over the last 12 months.

The Consumer Price Index is made up of over 55,000 prices consisting of 613 headings which cover over 1,000 different items.

Saturday, November 16, 2013

File:Paralympics 2014 stamp 30 RUB.jpg

On Thursday, with 110 days until the start of the 2014 Winter Paralympics in Sochi, Russia, Wikinews interviewed Assistant Professor in Educational Leadership, Sport Studies and Educational/Counseling Psychology at Washington State University Simon Li?en about attitudes in United States towards the Paralympics.

Licen has recently joined the Sport Management Program at Washington State University to develop its sport media and communication research and teaching contents. Originally from Slovenia, he served as the Director of Media and Communications of a WTA Tour event and was a member of the UNESCO Slovenian National Commission. He was also the Team Manager of the Slovenian wheelchair basketball national team.

((Wikinews)) : Why do you think the Paralympic movement has so little visibility in the US compared to other countries like Australia, the United Kingdom and even Canada?

Simon Li?en: Sports in the United States largely reaffirm existing relations of power in society. It emphasizes consumerism, the belief that success always goes to people who merit it due to their abilities, dedication and qualifications, and reinforces, rather than changes, existing ideas related to gender, ethnicity and nationality. Paralympic sport brings attention to athletes who are typically overlooked in American society because the majority of the population does not want to identify with people who are disabled. Although disability is not contagious, interest in disabled sports might put into question the masculinity of the males following it. Disabled athletes also challenge existing relations of power by displaying dedication, hard work and perseverance in different contexts than those most sports fans are accustomed to.

Other countries, including the ones you mention, have stronger social orientations in all aspects of society. Even though legislative support may be less strong than the one provided by the Americans with Disabilities Act, many social institutions including the media are more receptive to this form of diversity.

((WN)) : What do you think the impact will be for the Paralympic movement will be with the Games being televised live in the United States for first time?

Simon Li?en: The impact depends on a number of aspects. One of them is the channels that NBC as the broadcasting rights owner for the United States will use to air the Paralympic Games on. Will they be shown nationally or regionally, on NBC or on any of the company’s multiple cable networks? A second aspect is the parts or hours of the day the Paralympics will be shown. Remember that there is a nine-hour difference between Sochi and New York, and a 12-hour difference between Sochi and the US West Coast. So daytime events will be shown live in the United States in the middle of the night, and evening prime-time events will be shown — indeed live — in the morning U.S. time. So showing the Paralympics live on United States television might turn out to be less glamorous than it appears. A third important factor is the way the event will be mediated: will NBC have its best sports broadcasters following the event after having worked the Winter Olympics? Will they treat and announce the competitions as they do all others — for better and worse? Will they take it as an opportunity to educate viewers about disability and diversity while showing superb athletic performances without engaging in a discourse of pity? All in all, I think this is a terrific opportunity to improve sports coverage in a multitude of aspects; but we will have to wait until after the event to assess to what extent the broadcasters will meet these expectations.

((WN)) : What role should the media be playing in promoting the Paralympic Games? Why does the US media provide so little coverage of the Paralympics compared to other sports?

Simon Li?en: I don’t think the media should be promoting any sports event. I think the role of the media is to inform about the event and to cover it fairly. It is not just the Paralympic Games, or disable sports in general that yield very little media coverage; a recent study has shown that women’s sports only account for 1.3%–1.6% of televised news media. The situation improves considerably during the Olympic Games and prime-time Olympic coverage comes close to equal coverage of both men’s and women’s sport. Outside of that, however, U.S. media coverage is largely limited to the men’s four major leagues, college football and college basketball. Again, the media decide which sports to cover based on their perceived entertainment value and its potential of generating sponsor revenues. The Paralympic Games are complex to understand and its participants hard to identify with because there are less instances of dominating performances and long-standing rivalries, which are concepts that are understandable even to the casual fan.

((WN)) : What role does the fact that the Paralympics are about people with disability competing at sport play in the American public’s reception of the Paralympics?

Simon Li?en: I would speculate that the American public is largely indifferent to the event as it is currently represented in the media. The majority of people are oblivious of the Paralympic Games. They might greet an American medal winner as this would reaffirm the success, supremacy and tenacity of an American representative in a global field. In more general terms, however, the American public chooses to largely overlook disabled sports as the average able-bodied person likely does not want to be represented by, and thus identify with, a disabled person.

((WN)) : Is the fact the US Olympic Committee is the national Paralympic Committee a hinderance or help in the development of the Paralympic movement in the US?

Simon Li?en: In general terms, this is both an opportunity and a risk: it can activate its sizable financial, promotional and media influence to bring attention to the Paralympic movement, but at the same time might choose to push disabled sports to the side in order to accommodate influential sponsors. I am not familiar with the specific work done by the US Olympic Committee in terms of supporting, popularizing and expanding the Paralympic movement so I cannot speculate which way the actual work done by the USOC sways.

((WN)) : What conditions need to exist in the US for Paralympic athletes to get sponsorship similar to their Olympic counterparts?

Simon Li?en: Sport sponsorships are indeed strongly influenced by the media prominence of competing individuals. Individual disabled athletes have already been able to secure profitable sponsorship and endorsement contracts; perhaps the most notable example is Oscar Pistorius who was in this sense a true groundbreaker before falling off the pedestal due to his pending trial. This is even more true when one considers that not all Olympic athletes are able to secure profitable or even exaggerated contacts: an Olympic archery champion is less appealing than an Olympic champion javelin thrower, a female javelin thrower is less appealing than a male sprinter, and a Jamaican champion sprinter is less appealing than an American elite basketball player. Sporadic media appearances, such as those during the Paralympic fortnight, will hardly suffice to land disabled athletes major contracts; an athlete has to be in the constant media and popular spotlights to secure lucrative contracts. Until Paralympic athletes […] [are] able to achieve that kind of media presence, high sponsorships are likely to elude them.

((WN)) : Many countries provide federal money to support their Olympic and Paralympic athletes. Should the US consider this as a way of increasing visibility for the Paralympics, supporting increased opportunities for people with disabilities and increasing the US Paralympic medal count?

Simon Li?en: Focusing on the US medal count will successfully keep the Paralympic Games away from mainstream attention! A focus on the medal count as a means to establish supremacy is typical for American professional sports, and the Paralympics will never be able to beat the Olympic Games or the major leagues at their game. This is why the Paralympic Games should involve a different narrative.

Countries typically allocate governmental support to the more vulnerable groups in society because those who are strong can protect their interests through their vast financial and social means. In this sense, the United States should support participation in the Paralympic Games to promote adaptive sports in general and thus increase sports participation among people with disabilities. People with disabilities are among those who most benefit from participating in sports and physical activity due to their health and social advantage; however, they also have much fewer opportunities for sport participation and often require expensive adapted sports equipment. Public funds should contribute to their sport activity in general, and federal funding of Paralympic athletes could certainly provide an excellent example for local communities. Unfortunately, I fear that even the most progressive congresswomen and congressmen will be [reluctant] to increase that funding given the current federal budgetary situation.

Wednesday, December 31, 2008

What would you tell your grandchildren about 2008 if they asked you about it in, let’s say, 20 years’ time? If the answer to a quiz question was 2008, what would the question be? The year that markets collapsed, or perhaps the year that Obama became US president? Or the year Heath Ledger died?

Let’s take a look at some of the important stories of 2008. Links to the original Wikinews articles are in all the titles.

Sunday, January 21, 2007

Ricky “The Hitman” Hatton regained the IBF light welterweight title belt he relinquished less than 12 months ago when he defeated Juan Urango in Las Vegas, Nevada tonight.

“The Hitman” won by unanimous decision, as the fight went to 12 rounds. Despite early match odds suggesting Hatton would dominate the fight, this was not the case. Each round was close, but most pundits and judges alike agreed that Urango only won 1 of the 12 rounds, with Hatton taking the other 11.

Despite the unfamiliar confines of Las Vegas, Hatton looked touched by the ringing of football fan-like chants, familiar in British boxing, that rang around the arena, as more than half of it was filled by traveling support from across the atlantic.

Many in the UK will hope Hatton has ended the “curse” that has seen names such as Frank Bruno, Naseem Hamed, Barry McGuigan and others fall short while headlining fights on “The Strip”.

From here, it is widely believed “The Hitman” will move on to fight Jose Luis Castillo in June, again likely in Vegas.

Tuesday, August 31, 2010

Every September, the Apple iPod is redesigned. Last year saw the release of the iPod Nano 5th generation, bringing a video camera and a large range of colours to the Nano for the first time. But as Apple again prepares to unveil a redesigned product, the company has released their quarterly sales figures—and revealed that they have sold only 9m iPods for the quarter to June—the lowest number of sales since 2006, leading industry anylists to ponder whether the world’s most successful music device is in decline.

Such a drop in sales is not a problem for Apple, since the iPhone 4 and the iPad are selling in high numbers. But the number of people buying digital music players are concerning the music industry. Charles Arthur, technology editor of The Guardian, wrote that the decline in sales of MP3 players was a “problem” for record companies, saying that “digital music sales are only growing as fast as those of Apple’s devices – and as the stand-alone digital music player starts to die off, people may lose interest in buying songs from digital stores. The music industry had looked to the iPod to drive people to buy music in download form, whether from Apple’s iTunes music store, eMusic, Napster or from newer competitors such as Amazon.”

Mark Mulligan, a music and digital media analyst at Forrester Research, said in an interview that “at a time where we’re asking if digital is a replacement for the CD, as the CD was for vinyl, we should be starting to see a hockey-stick growth in download sales. Instead, we’re seeing a curve resembling that of a niche technology.” Alex Jacob, a spokesperson for the International Federation of the Phonographic Industry, which represents the worldwide music industry, agreed that there had been a fall in digital sales of music. “The digital download market is still growing,” they said. “But the percentage is less than a few years ago, though it’s now coming from a higher base.” Figures released earlier this year, Arthur wrote, “show that while CD sales fell by 12.7%, losing $1.6bn (£1bn)in value, digital downloads only grew by 9.2%, gaining less than $400m in value.”

Expectations that CDs would, in time, become extinct, replaced by digital downloads, have not come to light, Jacob confirmed. “Across the board, in terms of growth, digital isn’t making up for the fall in CD sales, though it is in certain countries, including the UK,” he said. Anylising the situation, Arthur suggested that “as iPod sales slow, digital music sales, which have been yoked to the device, are likely to slow too. The iPod has been the key driver: the IFPI’s figures show no appreciable digital download sales until 2004, the year Apple launched its iTunes music store internationally (it launched it in the US in April 2003). Since then, international digital music sales have climbed steadily, exactly in line with the total sales of iPods and iPhones.”

Nick Farrell, a TechEYE journalist, stated that the reason for the decline in music sales could be attributed to record companies’ continued reliance on Steve Jobs, CEO of Apple, saying that they had considered him the “industry’s saviour”, and by having this mindset had forgotten “that the iPod is only for those who want their music on the run. What they should have been doing is working out how to get high quality music onto other formats, perhaps even HiFi before the iPlod fad died out.”

When Jobs negotiated a deal with record labels to ensure every track was sold for 99 cents, they considered this unimportant—the iPod was not a major source of revenue for the company. However, near the end of 2004, there was a boom in sales of the iPod, and the iTunes store suddenly began raking in more and more money. The record companies were irritated, now wanting to charge different amounts for old and new songs, and popular and less popular songs. “But there was no alternative outlet with which to threaten Apple, which gained an effective monopoly over the digital music player market, achieving a share of more than 70%” wrote Arthur. Some did attempt to challenge the iTunes store, but still none have succeeded. “Apple is now the largest single retailer of music in the US by volume, with a 25% share.”

The iTunes store now sells television shows and films, and the company has recently launced iBooks, a new e-book store. The App Store is hugely successful, with Apple earning $410m in two years soley from Apps, sales of which they get 30%. In two years, 5bn apps have been downloaded—while in seven years, 10bn songs have been purchased. Mulligan thinks that there is a reason for this—the quality of apps simply does not match up to a piece of music. “You can download a song from iTunes to your iPhone or iPad, but at the moment music in that form doesn’t play to the strengths of the device. Just playing a track isn’t enough.”

Adam Liversage, a spokesperson of the British Phonographic Industry, which represents the major UK record labels, notes that the rise of streaming services such as Spotify may be a culprit in the fall in music sales. Revenues from such companies added up to $800m in 2009. Arthur feels that “again, it doesn’t make up for the fall in CD sales, but increasingly it looks like nothing ever will; that the record business’s richest years are behind it. Yet there are still rays of hope. If Apple – and every other mobile phone maker – are moving to an app-based economy, where you pay to download games or timetables, why shouldn’t recording artists do the same?”

Well, apparently they are. British singer Peter Gabriel has released a ‘Full Moon Club’ app, which is updated every month with a new song. Arthur also notes that “the Canadian rock band Rush has an app, and the industrial rock band Nine Inch Nails, led by Trent Reznor – who has been critical of the music industry for bureaucracy and inertia – released the band’s first app in April 2009.” It is thought that such a system will be an effective method to reduce online piracy—”apps tend to be tied to a particular handset or buyer, making them more difficult to pirate than a CD”, he says—and in the music industry, piracy is a very big problem. In 2008, the International Federation of the Phonographic Industry estimated that 95% of downloads were illegitimate. If musicians can increase sales and decrease piracy, Robert says, it can only be a good thing.

“It’s early days for apps in the music business, but we are seeing labels and artists experimenting with it,” Jacob said. “You could see that apps could have a premium offering, or behind-the-scenes footage, or special offers on tickets. But I think it’s a bit premature to predict the death of the album.” Robert concluded by saying that it could be “premature to predict the death of the iPod just yet too – but it’s unlikely that even Steve Jobs will be able to produce anything that will revive it. And that means that little more than five years after the music industry thought it had found a saviour in the little device, it is having to look around again for a new stepping stone to growth – if, that is, one exists.”