Author: Admin

Tuesday, August 25, 2009

Naledi Pandor, Minister of Science and Technology in South Africa, publicized results of a study on Tuesday on the role of women in the fields of science and technology in the country. Though women only make up thirty-three percent of publishing scientists in the country, their numbers have increased in recent years. When compared to a similar study from 2004, trends show increased enrollment of women in higher education.

Pandor was disappointed by the dearth of individuals that attended the announcement of the results of the study at the Parliament of South Africa. “It shows the degree to which science does – or doesn’t – matter to South Africans,” said Pandor. Prior to her role as Minister of Science and Technology, Pandor had served as Minister of Education of South Africa.

Professor Anusuya Chinsamy-Turan, a woman scientist in South Africa, commented to News24 that some educational organizations in the country were “really, really hostile to women”.

Pandor highlighted problems affecting women and specifically black women in the country from increased participation in science, including “financial difficulties before and during tertiary studies, gender stereotyping, legacies of disadvantage in black communities, negative dynamics at workplaces, and the lack of attention to women’s specific needs”.

Women in the country are advancing against men in science fields, particularly engineering, agricultural studies and biology. At present there are a greater number of women than men among enrollments for degrees in higher education, and among individuals obtaining those degrees. According to The Times, “their biggest gain has been in health sciences, where women earned more than half the doctorates awarded in 2005”. Pandor emphasized a current need for additional women to enter the fields of technology and engineering.

The announcement at Parliament in South Africa was part of the launch of the “Facing the Facts 2009” booklet, which was published by a sub-committee of the National Advisory Council on Innovation (NACI), Science, Engineering and Technology for Women (SET4W). Dr. Romilla Maharaj of SET4W presented the report to Parliament, and stated that enrollment by women in higher education had increased by one percent from a previous study. Dr. Maharaj noted that women were still currently in the minority among individuals with degrees in higher education.

Wednesday, April 22, 2009

Today is the 39th observance of Earth Day in the northern hemisphere. Earth day is celebrated in Autumn on November 30 in the southern hemisphere. Senator Gaylord Nelson initiated the first Earth Day in April 1970 in the United States, and it is now celebrated by over 1 billion people in over 170 countries worldwide. Earth Day is the biggest environmental event which addresses issues and educates people on environmental awareness on a global scale.

This year, National Aeronautics and Space Administration (NASA) will beam high-definition images to the NASA website and television. By doing so, NASA hopes to increase appreciation of global climate issues. There will also be a Washington exhibit relating to environmental issues viewed from space as well.

At the NASA Marshall Space Flight Center activities will focus on their slogan for Earth Day 2009, “Just One Drop … PRICELESS” and will demonstrate how the Environmental Control Life Support System operates as used on the International Space Staton (ISS).

Amongst the many festivals, WorldFest is a solar powered music celebration held in Los Angeles, California. Buenos Aires will also feature its second Earth Day event featuring a music festival as well.

“We are in a new era of energy innovation,” said Daniel Yergin at a Massachusetts Institute of Technology (MIT) forum. Lithium-ion batteries are providing electric storage solutions for electric cars such as the Chevrolet Volt and the Dodge Circuit EV. Algae fuel is a new form of biofuel, but is still under development.

“Energy Smackdown” was a competitive household activity which compared energy usage between 60 separate households across three cities in or near Boston. The various competitors came up with a variety of innovative methods to cut their carbon footprint, installing solar electric panels, geothermal heat pumps, wind turbines, and using a caulking gun to seal the home from drafts.

“In the average home, 75 percent of the electricity used to power home electronics is consumed while the products are turned off.” is a United States Department of Energy (DOE) estimate.

Miami is installing a smart grid which will use individual household smart meters to allow energy consumers know via a web site, their exact home energy usage. “To me these are prudent and smart investments that will easily pay for themselves. It will show the nation how to address environmental, energy, and economic challenges all at the same time.” said Miami mayor Manny Diaz.

Cal Dooley, CEO of the American Chemistry Council ACC, says the plastic bag industry is prepared to spend US$50 million to revamp their manufacturing facilities and will collect 470 million pounds of recycled plastic every year to make plastic bags of 40% recycled content. The ACC is providing a donation to the Keep America Beautiful environmental organisation, both of whom endorse this new project. The Earth Day Network (EDN) and Natural Resources Defense Council (NRDC) would like to see an end to the use of plastic bags, however. “We don’t want people to use disposable bags. We want people to use reusable bags,” says Darby Hoover of the NRDC.

Calgary researchers will begin field surveys to help save the “Northern Leopard Frog (Rana Pipiens). “Northern Leopard Frogs are threatened in Alberta, but endangered in British Columbia,” said Dr. Des Smith, Primary Investigator and Research Scientist with the Calgary Zoo’s Centre for Conservation Research. “It is essential to develop new monitoring techniques for Northern Leopard” said Breana McKnight, Field Team Leader and Endangered Species Researcher.

The traditional Earth day ceremony of planting trees is garnering further attention in Japan as Koichi Nakatani, the nation’s Tree Planting Father travels from Hokkaido to Okinawa.

Students can take part in an Earth Day photo contest sponsored by the Institute for Global Environmental Strategies which will feature images and scientific student research for the environmental change depicted in each photo submitted.

“Earth Day should be about teaching about the environment every day,” said Sean Mille director of education for EDN, “We emphasize taking action for your classroom, school, district or community.” 25,000 schools across America made use of the environmental curriculum developed by the National Civic Education Project, the Green Schools Campaign and the Educator’s Network. Lesson plans are broad and varied and may focus on water pollution, recycling, composting, using chemistry to convert cafeteria left-overs into biodiesel or ethanol fuel or converting go-carts to operate on biodiesel or ethanol fuels in shop class.

Saturday, February 25, 2012

Syrian forces have been shelling the Baba Amr district of Homs, Syria for almost a month. Civilians and journalists are amongst the dead, and Wikinews spoke to a local citizen journalist, attracting attention both from the world’s media and from the Syrian Armed Forces. According to Wikinews’ source, much of Homs is without water, and a city facing starvation.

Syrian forces began a ground assault on Homs February 4, using troops, and bombarding the city with tanks and artillery. To this day, the bombardment continues. Soldiers frequently clash with anti-government protesters, and ‘freedom fighters’ of the Free Syrian Army in violent, often deadly encounters. In the Baba Amr district of the city, “Omar” [for his safety, we only use his first name, Ed.], a citizen journalist with the Homs Media Center, created an account on the Bambuser website where users can stream live footage from PCs or mobile phones. He then pointed a camera out of his home, overlooking the city, and began broadcasting footage live on the Internet.

The violent, often deadly, events following may have, indirectly, resulted from this action. Journalists discussed in this article put their lives in jeopardy to give the world a record of events; in some cases, dying doing so. But, their deaths may not have been accidental; evidence suggests possible intentional targeting by Syrian government forces.

Omar usually began broadcasting just before sunrise. At 5:18 a.m. (EET) in Homs on February 9, Omar started his live broadcast; the sky still dark, with only a few lights flickering around the area. Sporadic gun and rocket fire between Syrian forces and the Free Syrian Army audible on the live feed. By sunrise, gun battles had ceased, the city silent except for the occasional rooster welcoming the morning sun. As daylight broke tanks inside the city, and artillery on its outskirts, began shelling buildings and other targets. Throughout the morning, rocket fire and tank shelling could be heard getting closer and closer to Omar’s position.

At approximately 07:40 EET, nearly two-and-a-half hours into the broadcast, the camera’s microphone records the audio of the brief, but distinct, ‘whistle’ of a rocket or shell as it sails through the air. It strikes close to the camera’s position, causing it to wobble an shake, nearly tipping over; smoke obscures the camera’s view, debris falling onto it whilst sounds of parts of nearby buildings collapsing are heard.

The camera continues to film, apparently undamaged. Omar’s house isn’t so lucky, suffering a direct hit from a rocket. Out of the camera’s view, people inside the house begin to scream. Less than two minutes later, a second rocket strikes the house just above and behind the camera’s position; again, causing it to shake. The sun casts the rising smoke’s shadow on the house next door as more debris hits the camera. Further screams are heard as rubble collapses around people inside. Those inside, running and shouting, now make up most of the broadcast audio; some begin to pray, whilst others bring round a car to carry out the injured or dead. Moments later another rocket is fired, residents screaming warnings to each other of another possible incoming strike. An explosion is heard, and smoke can be seen rising, center-right of the camera shot, from the rocket striking nearby.

A few minutes later, two men are seen coming out onto their balcony and looking in the direction of the house that was just hit. They talk, looking and pointing in the direction of Omar’s house, with the sound of gunfire in the area. At 07:50, they go back inside and out of sight.

Three minutes later a rocket is fired, striking that house, exactly where the two men were standing. It is unknown if they were killed or injured in the attack, but according to Omar the attacks around his home left five dead, three women and two men; Omar himself survives unscathed.

Despite the deaths in the February 9 attack, Omar kept his camera rolling whenever awake; but, that was about to change.

February 15 was a relatively quiet morning but, as sunrise gave way to the daylight, rockets began hitting targets in the city for the eleventh consecutive day. Shortly before 08:00 EET, a small plume of black smoke appears, left side of the live broadcast, an oil pipeline having sustained its first direct hit. Moments later, a second strike on the pipeline is in-shot, also to the left of the camera’s view. The acrid smoke from this strike quickly begins to grow.

Shortly after the second hit on the pipeline Omar enters the room, moving the camera to show both strikes. Twin plumes of thick black smoke are now visible rising in the distance. Omar states the oil pipeline sustained damage from an attack by Syrian military aircraft. From a United States Department of State satellite photo taken after the bombing, the pipeline is seen near a densely populated area of the city, with farmland lying to the west. The smoke from the pipeline fire blankets nearly all of the populated area, to the east, in range of the photo.

After repositioning the camera, Omar decided to leave his house to undertake some field work; a fortuitous move as Omar stated on his Twitter stream, “after we left the house” a rocket made a direct hit on it, leaving a hole in one of the sides. There were no injuries in the attack, the building being unoccupied at the time.

With sunset closing in and the pipeline still ablaze, Omar turned off his camera, not just for the night — indefinitely. Omar now believes he is in too much danger to broadcast further, tweeting: “[I] really am confused […] am worried to turn the live camera on. It’s become very dangerous.” Omar has since left his home.

Crucial as some of the live footage may be at getting pictures of bloodshed inside Syria out; for now, much of the output which ended up hosted on Bambuser has dried up. On February 17, the Syrian government blocked access to the website and its mobile phone application. Despite government action, some isolated examples of live footage continue making their way out of Syria, mainly from mobile phones.

Bambuser speculate that Syrian authorities’ move to block access may be a result of Omar’s live footage showing the oil pipeline fire on Feburary 15. That footage was rebroadcast on several major news networks, including CNN, BBC News, Al Jazeera and Sky News.

“We believe this footage was the trigger for the Syrian government to block access to bambuser.com and disable the possibility to broadcast live video with mobile phones on Syrian 3G,” said a Bambuser statement on their website. Bambuser has been blocked previously in other countries. Access to the site was blocked by Egypt in January 2011, during their revolution. Bahrain blocked the site six months ago, and it remains blocked to this day.

Bambuser’s statement continues: “Not only have we helped them get their message out, but they also say it means much in terms of morale for everyone in this situation. They [The Syrian people] know the world is watching, sharing and it gives them hope. No matter where in the world there is unrest, we at Bambuser always do our best to support and help observers”.

Omar is not alone in being at-risk; on February 18 a funeral for three men, shot and killed by Syrian forces during an anti-government protest the prior day, was being held in the central Mezzeh district of Damascus.

Over fifteen thousand people, including women and children, filled the streets paying their respects. After a prayer, during which mourners remained completely silent, the procession turned into a mass-protest. With mourners-turned-protesters marching down the streets, the sky over Damascus darkened and snow began falling. With the change of weather appearing to embolden the protesters, their chants grew louder.

Shortly thereafter, Syrian forces surrounded the front of the march, and opening fire with live rounds and tear gas. Panicked people quickly scattered, turning the once-peaceful march into a stampede. At least one was shot and killed. Dozens of others sustained injuries. This was the first time Syrian forces opened fire on protesters in central Mezzeh.Those people are just a small fraction of those who have been killed or injured since the uprisings began. It is estimated that from five thousand to upwards of seven thousand people have been killed since January of last year. As a result, on February 20, the International Committee of the Red Cross (ICRC) announced it was attempting to negotiate a cease fire by all parties “to facilitate swift Syrian Arab Red Crescent and ICRC access to the people in need.”

The ICRC wants troops to halt their attacks in cities that have seen the most fighting in order to deliver care packages. Bijan Farnoudi, a spokesman for the Red Cross, said discussions include “several possibilities” in which the packages can be delivered. Though the organization has been delivering food and supplies to as many cities and citizens as possible, heavy fighting in areas such as the Baba Amr district of Homs has made it increasingly difficult for aid to be delivered. Even while the Red Cross worked to negotiate a cease fire, reports out of Homs on February 20 said Syrian forces were amassing troops and tanks outside the city in preparation for an all-out ground invasion. According to Omar, the shellings continued, but on February 24, the Red Cross announced it was allowed to begin evacuating injured women and children from the city.

On February 21, a member of the Homs Media Center was killed by a rocket as Syrian forces continued their bombardment of the city for an eighteenth straight day. Rami al-Sayed was reported to have been severely injured by a rocket while attempting to evacuate individuals to a makeshift hospital, during what activists call the worst day of bombardment since Syrian forces began their attack on the city on February 4. According to Bambuser, he and three others were inside a car when it was hit by a mortar, immediately killing the others. Sayed bled to death at the hospital.

Sayed was a videographer “crucial in getting the truth out through his videos posted on the Internet. We will really miss him, especially the medical team who relied on him to document all the civilian injuries and deaths on video,” said Omar in an interview with CNN. Sayed also was one of the men affiliated with the account ‘syriapioneer’ on Bambuser. Like Omar, he would broadcast live footage of the events on the ground in Homs. Bambuser published the last known message sent out to friends and family: “Babaamr is facing a genocide right now. I will never forgive you for your silence. You all have just give us your words but we need actions. However our hearts will always be with those who risk their life for our freedom. … In a few hours there will be NO place called BabaAmr and I expect this will be my last message and no one will forgive you who talked but didn’t act.” Sayed, 26, had a daughter of 18 months. In December, a citizen-journalist cousin of Sayed’s, Basil al-Sayed, was also killed. In a statement to Wikinews Omar described Sayed as “my best friend” and they both have worked as citizen journalists for about “10 months”, around the beginning of the uprisings.

The killings didn’t end there. Another two journalists were killed February 22, whilst at the Homs Media Center. Marie Colvin, a Sunday Times journalist, and award winning French photographer Rémi Ochlik, were killed when rockets hit the center. At least two others were injured in the attack, French journalist Edith Bouvier and British photographer Paul Conroy.

The Syrian government denies involvement, saying their deaths were “absolutely not” caused “by Syrian armies.” The following day Bouvier made a video plea to Syrian forces that she be allowed to leave Homs to seek medical attention. Conroy stated, despite leg wounds, he was “OK.”

Omar was in a Skype conversation with a friend at the media center when the attack took place. He recorded the call’s audio using a web camera and posted the video on YouTube; sounds of explosions and possible gunfire can be heard throughout. Reports strongly suggest the media center attack was deliberate; radio communications between Syrian government forces indicate orders to attack the building — whilst making it appear individuals died caught in a gun battle with terrorists.

It is because of situations such as that on February 16, the United Nations General Assembly (UN GA) voted, “[…] overwhelmingly to call on both the government and allied forces and armed groups to stop all violence or reprisals immediately.” The UN GA press release expressed grave concern at the Syria’s deteriorating situation and, “[…] condemned a raft of violations carried out by the authorities, such as the use of force against civilians, the killing and persecution of protesters and journalists, and sexual violence and ill-treatment, including against children.”

Calling on Syria to abide obligations under international law, the UN GA “[…] demanded that the Government, in line with the 2 November 2011 Action Plan of the League of Arab States, and its decisions of 22 January and 12 February 2012, without delay, stop all violence and protect its people, release all those detained during the unrest, withdraw all armed forces from cities and towns, guarantee peaceful demonstrations and allow unhindered access for Arab League monitors and international media.”

137 nations voted for the General Assembly’s resolution, twelve opposed and 17 abstained. As with many UN GA resolutions, the findings and conclusions are non-binding.

Earlier, on February 4, the United Nations Security Council failed to pass resolution S/2012/77, supporting Arab League actions pursuing peace in Syria. This resolution was vetoed by Security Council members China and Russia.

The Arab League’s goal, according to their report on Syria, “is to protect Syrian citizens through the commitment of the Syrian government to stop acts of violence, release detainees and withdraw all military presence from cities like Homs, and an end to violence in Syria.” The League noted Homs, Dera‘a, Idlib, and Hama as the cities primarily affected by such incidents. The report claims all such incidents were caused by “armed groups” or “entities not mentioned in the protocol [report].”

Despite the League’s claim, live footage broadcast more than a month after the report was filed suggests the opposite as tanks continued to bombard cities like Homs. The League, in their report, go on to say Syrians “believe the crisis should be resolved peacefully through Arab mediation alone, without international intervention. Doing so would allow them to live in peace and complete the reform process and bring about the change they desire.”

Omar disagrees with the League’s conclusion that Syrians do not want international intervention. He believes if “the world” doesn’t act soon, many more will die from starvation. Medical supplies have not been making their way to makeshift hospitals and food is scarce. Much of the city is without water and Syrian forces continue their assault on the city. In a statement to Wikinews on Wednesday, Omar said “if they stay like this [the world] just watching us, people will die not because of the shelling, they will die because of starvation. We are surrounded. There is no food, no water and no medical supplies. If the world doesn’t do anything we will die from starvation. In the coming days I can see a massacre from starving.”

Monday, October 8, 2007

When a fan connects with a band, it’s often during moments like a drive down a highway at night reflecting on some aspect of his or her life; sitting at home after a fight with a girlfriend; singing in the shower; or celebrating at a party with her friends. Music becomes a soundtrack to an individual’s life, and a connection with the musician forms when the listener is able to peg a perfect moment or feeling to a song. Boston-based mega-member rock group Bang Camaro‘s fan base claims a different level of interaction: they often have learned to play their music before they ever had a moment associated with it. Bang Camaro found fame on the video game Guitar Hero II, where an aspiring rock god uses a guitar-shaped peripheral to play rock music as notes scroll towards him on the screen.

Wikinews reporter David Shankbone journeyed to the Bowery Ballroom to talk to the two founding members of Bang Camaro, Alex Necochea and Bryn Bennett. But when MTV.com shows up at the same time as Wikinews to do an interview, the band must split up. Below is our conversation with Necochea about touring, influence, politics, throwing his corpse out of a plane and flatulent women.

David Shankbone: How’s the tour going?

Alex Necochea: The tours is going great! We just played in Poughkeepsie last night with the OCC house band.

DS: Poughkeepsie, huh?

AN: Yeah! [Laughs] Poughkeepsie, it’s kind of a dark town. Not much of a built-in crowd there.

DS: What kind of crowd is there?

AN: From what I could tell, we played for a lot of Guitar Hero fans and people who heard about us through friends of friends, or came across us on MySpace. That sort of thing. But for the most part a lot of the kids we meet are anywhere between…well, I guess at a club like that they have to be over 18, but usually they are just much younger kids who are video game fans, who have heard about us through Guitar Hero II.

DS: What’s that like to have a fan base that comes from primarily video games? Have you noticed a difference between being known as a local band playing in your city and being known through video games? How would you compare the audience?

AN: It’s different. In our hometown it started off as just a big word of mouth thing. We had twenty guys in the band, so everybody had friends-of-friends. We started a groundswell that way. But when we get out of town, not in New York so much, but when we go to Chicago and Milwaukee and places like that they generally tend to be much younger people. It’s a really big thrill for Bryn and I in that we are meeting kids who are just like us: young video game fans, aspiring musicians, usually males who picked up guitars. They come to us and say, ‘Nobody plays guitar anymore like you guys do!’ or ‘My parents used to listen to music like that!’ It’s just a big thrill for us to meet young kids like that who remind us of ourselves when we were kids.

DS: How does it feel to be looked-up to by the kids, by America’s future?

AN: [Laughs] It’s terrifying! [Laughs]

DS: Do you see parents at the show?

AN: Oh, yeah, oh yeah. Parents with their kids—

DS: That must reduce the crotch grabbing.

AN: [Laughs] Yeah, a little bit of macho posturing. I tell you man, it’s a really big thrill, just to go out and play in towns we’ve never been to. Kids come out and they know all the songs. We’ve had situations where we’ve played New York and girls are in the front row singing along to our guitar solos. Like, wow…we’re on stage playing and we can hear them singing back at us. Something else Bryn and I have noticed is at larger festival shows when we get to the end of our shows we play Push Push Lady Lightning, the kids would just light up and start air guitaring! But not actually playing air guitar, but playing air guitar hero–like, they knew where all the notes were!

DS: Which is a lot different for audiences of many bands.

AN: Absolutely! I can’t imagine other bands having the same experience, because we come from such a unique perspective that a large part of our music is driven by the instrumentals, and that sort of thing.

DS: Your fans are so engaged with your music, far more than most bands have. Most bands they have fans who feel their music speaks to them, but your fans can say, ‘I learned to play guitar on your shit and not on Eleanor Rigby!’

AN: It’s an honor. It’s still unbelievable to me. I had a message from a friend of mine who was at Guitar Center and he heard one of the kids cranking out one of our songs when he was trying out the guitar. To me, it’s like we made it.

DS: At this point of your career, you’re not playing stadiums, but you’re also not playing Otto’s Tiki Lounge on a Tuesday night. When you reflect upon it, what do you think about?

AN: In the past two years, since Bryn and I started this project, we’ve both been playing in bands locally in Boston for years. We had some mixed success, we played large venues in and around Boston. We got to the point where we said fuck it, we just want to have some fun and we’d laugh a lot going over old Ozzy Osbourne stuff we listened to as kids, just giggle about it. Bang Camaro started that way, something for us to do and invite our friends to come sing on it. Now, just two years later, it’s amazing what happens when you stop trying. It’s something not contrived or born of any desire to reach an audience. We just did it for fun, and that spoke to people more than anything else we worked on.

DS: Do you have other areas of your life where you’ve been able to apply that?

AN: [Laughs] You mean as an ethos? Don’t try? [Laughs] You know, not really. I have found the greatest success in the things I have put most of my effort into. This band has been a complete unique experience in that respect, at least in terms of trying to forge a ‘career in music.’ Bryn and I had gotten to the point where we thought maybe this wasn’t the way to go. Bryn was going to go back to his career as a video game programmer and I was just going to find something else to do. So not really, I don’t really apply that in any other portion of my life.

DS: What are some dream projects you’d like to work on?

AN: As a musician, obviously for me it would be to meet and work with some heroes of mine since I was a kid. Like Mutt Lang; he always made my favorite records. At the same time, it has also been a dream of mine to meet people like Mark Linkous of Sparklehorse. Those guys made honest sort of rock n’ roll, for lack of a better comparison, the way people like John Lennon or Bob Dylan would. To me those are the artists of my generation. It would be my dream one just to meet those guys and two just to work with them on some level. I’d also be lying to say that it would just be my dream to take this project with twenty of my best friends and take it as far as we can take it. So far in my life it’s been the most rewarding thing.

DS: In the creative process it’s so difficult to be original today. Everything has been done. Do you ever let that trip you up, the Simpsons Did It problem?

AN: No, not really. I found I would end up falling into that cycle playing in indie rock bands, just trying to come up with the next thing, like Radiohead they stopped using guitars and things like that. Trying to kick the ball forward a little bit instead of kicking it side to side. With this band we don’t get hung up on that. We originally just started it as a celebration of the things we loved when we were kids. We’re not out here trying to reinvent the wheel. We’re fortunate in that when we were putting the project together we wanted that big vocal sound. What set us apart was how we went about doing that. We just invited all of our friends because we didn’t want to multi track everything ourselves. Soon after we had to figure out how to pull it off live, and people would approach and say ‘we heard you have this crazy project with all these people.’ The project grew into the live monster it is out of necessity. We’re not rich people, we don’t have refrigerators and the big tour bus. Speaking of dreams, maybe one day we’ll have a tour bus. For now, we travel in two very smelly vans.

DS: If you could choose your own death, how would you die?

AN: [Laughs] I would want to steal what I heard a mutual friend of ours said. He said when he died–it’s not how he died, but this is what I heard–he said when he’s dead, he wants his corpse to be dressed up like Superman and thrown out of an airplane. I thought that would be fitting. But I’m not ready to think about death, not just yet.

DS: You guys have been described as Metal and Glam rock. What would you describe your sound as?

AN: I would call us anthem rock. We’re really not heavy metal. I think our focus is more on writing great singles, as best as we can make them. Pop music. That’s just something Bryn and I grew up on. We’re big fans of melody and big driving hooks, that sort of thing.

DS: Would you say anthem rock more in the Mötley Crüe vane or more in the T. Rex vane?

AN: I would say half and half. Our influences don’t just stop with hair metal and things like that. We draw on things like Thin Lizzy, Boston, bands like that. Not necessarily virtuosic sort of musicianship, but things that are put together. We like to spend the time when we are writing our songs that we are taking all the extraneous crap out of it. We just want to make good, hook-drive pop music.

DS: Does the war in Iraq affect you artistically at all?

AN: [Laughs] No, not at all. No, you could say I’m just like everybody else. I read the paper and blogs, and I’m just as horrified as everybody else. I’m definitely not a fan of this war.

DS: If you had to fight in Iraq or Afghanistan, where would you fight?

AN: Oh, the fight was definitely in Afghanistan. Iraq was a much different animal.

DS: Are you more inspired by things in nature or things that are man made?

AN: I would probably have to go with nature. I’m a student of science. I have a degree in environmental geology. When I was 19/20 years old I went through all the regular existential questions people that age go through: why am I here and my place in the universe, that sort of thing.

DS: Did you answer any of them?

AN: Oh, God! I play rock guitar in a twenty man band!

DS: That’s important for a lot of people – you see your audience. You’re giving a lot of inspiration to a lot of people. You don’t know who you might be inspiring to pursue music.

AN: [Laughs] Oh, kids, don’t be like me! I would definitely go with nature over man made.

DS: What’s your favorite curse word?

AN: Fuck.

DS: What’s your favorite euphemism for breasts?

AN: Big guns.

DS: Have you used that recently?

AN: Actually, I think I did use that in the last week, and no comment.

DS: I read that you named the band after fast women and fast cars.

AN: [Laughs] Who told you that? No, Bang Camaro were two words out of the English language that were the two sexiest words we could think of. We put them together and they roll off the tongue. Bang Camaro. It says a lot more than it means.

DS: What sort of qualities do you look for in a woman?

AN: I need a girl who is going to make me laugh. I need a woman who is smarter than I am. A woman who will always keep me guessing. Absolutely. Calling me out for my own jerky bullshit. I like a girl who is fiercely independent, knows what she wants, and doesn’t need me.

DS: Hillary Clinton or Barack Obama?

AN: Oh, man, I’m going to get in a lot of trouble for saying Obama. I would probably go with Obama. There’s just something in his rhetoric and his oratory that is a lot more inspiring than Hillary. Hillary, to me, represents not much of a changing of the guard.

DS: What would be the greatest of misfortunes to befall you?

AN: [Chuckles] Oh, if I were to die alone. No, probably one of my greatest fears is injuring or maiming any of my appendages, to be honest.

DS: Do you have any special things you do to make sure you don’t injure or lose an appendage?

AN: [Chuckles] I don’t keep my hands in my pockets when I am running down stairs.

DS: That’s a conscious choice?

AN: Yes, that’s a conscious choice.

DS: What if you are just walking down stairs?

AN: [Chuckles] You can’t realign the stars, man. Shit will happen, shit will happen.

DS: What possession do you treasure most?

AN: That’s a good question. Probably my cat. I love my cat more than anything.

DS: What’s your cat’s name?

AN: Sadie.

DS: Like Sexy Sadie?

AN: Yeah, like Sexy Sadie. That’s exactly what I named her after. Big John Lennon fan, so I couldn’t resist.

DS: What trait do you deplore most in other people?

AN: I’m a lover, not a fighter. Jealousy, greed. But I try to look for the best in everybody. Who knows.

DS: What do you think are the greatest threats to humanity?

AN: Humanity itself. You can typically read anywhere that humanity is a virus, a plague, on Mother Earth. I really think the greatest threat to humanity is not a meteor or comet hurtling toward the planet, it’s us. We’ll be our own undoing. Bad politics, the spread of…oh, man, I could get in trouble…

DS: Who would you get in trouble with?

AN: No, I don’t know who I could get in trouble with. But I definitely think that capitalism is something that having gone unchecked for so long isn’t doing right in delivering civil freedom. It’s not delivering on its promises. Then again, I play in a rock band and people come pay to see me. I understand it works on both levels.

DS: What would be a bigger turn-off in bed: a woman who spoke in a baby voice, or someone who was overly flatulent?

AN: Oh God! I’d go with the baby talk, man.

DS: You’d prefer the baby talk?

AN: No, I would go with the flatulent woman. At least she’s real.

DS: Have you ever been faced with either scenario?

AN: No, I don’t think women should be flatulent.

DS: At all? Not even if she lets out a little giggle afterwards?

AN: Yeah, well, so be it.

DS: What if she was really flatulent?

AN: Like, extremely flatulent? I’d go more for the flatulence. Baby talk…that’s a real boner killer. Sorry, man.

DS: And you’ve never had a baby talker?

AN: No, not since high school.

DS: In high school?

AN: Oh, yeah. She had to go.

DS: What if she was Dutch oven flatulent?

AN: Is it really one or the other? Can I just go gay?

DS: You can always go gay. It’s the new millennium.

AN: Yeah, well, I’d probably end up with a baby-talking overly flatulent man, I’m sure.

Tuesday, November 21, 2006

Buffalo, New York —Buffalo, New York developers have been stymied by old real estate deeds.

The prospective Elmwood Village Hotel may be scuttled and businesses now located there may be forced to move.

Frustrations over property located in an area once known as “Granger Estates” circulate around a clause in the original deeds over land divided by then-owner Erastus Granger in the early 1800’s.

According to the documents, “no business establishment of any kind whatsoever” shall ever be constructed on the property, and they shall forever be exclusively for residential use only. Also prohibited are barns, farms and stables.

Sam Savarino, CEO of Savarino Companies, the prospective hotel developer, announced that his legal research team found the restrictions on properties located between 1109 and 1121 Elmwood Avenue which also stated in part that “no businesses, hospitality establishment of anykind whatsoever” shall ever be permitted to be built on the property.

Savarino, whom is expected to contest the restrictions, said that his company could have ignored the findings, but that, “we can’t risk the future of a multimillion-dollar project on the hope they wouldn’t be discovered. Our opponents would have had a field day if they’d surfaced after the fact.”

Savarino said his attorneys and researchers are anticipated to determine “exactly what weight the restrictions carry and if there’s a way for the courts to negate them.”

Existing businesses are also jeopardized.

Hans Mobius, owner of some of the restricted properties upon which a carriage house is built, said, he wasn’t aware of any restrictions, and “never had a reason to research the deed and title documents.” He confidently added that, “the lawyers can get this taken care of.”

Other threatened businesses include Don Apparel, H.O.D. Tattoo, Forest Plaza Art Gallery and Allentown Music.

Thursday, June 23, 2011

NASA’s Cassini–Huygens spacecraft has discovered evidence for a large-scale saltwater reservoir beneath the icy crust of Saturn’s moon Enceladus. The data came from the spacecraft’s direct analysis of salt-rich ice grains close to the jets ejected from the moon. The study has been published in this week’s edition of the journal Nature.

Data from Cassini’s cosmic dust analyzer show the grains expelled from fissures, known as tiger stripes, are relatively small and usually low in salt far away from the moon. Closer to the moon’s surface, Cassini found that relatively large grains rich with sodium and potassium dominate the plumes. The salt-rich particles have an “ocean-like” composition and indicate that most, if not all, of the expelled ice and water vapor comes from the evaporation of liquid salt-water. When water freezes, the salt is squeezed out, leaving pure water ice behind.

Cassini’s ultraviolet imaging spectrograph also recently obtained complementary results that support the presence of a subsurface ocean. A team of Cassini researchers led by Candice Hansen of the Planetary Science Institute in Tucson, Arizona, measured gas shooting out of distinct jets originating in the moon’s south polar region at five to eight times the speed of sound, several times faster than previously measured. These observations of distinct jets, from a 2010 flyby, are consistent with results showing a difference in composition of ice grains close to the moon’s surface and those that made it out to the E ring, the outermost ring that gets its material primarily from Enceladean jets. If the plumes emanated from ice, they should have very little salt in them.

“There currently is no plausible way to produce a steady outflow of salt-rich grains from solid ice across all the tiger stripes other than salt water under Enceladus’s icy surface,” said Frank Postberg, a Cassini team scientist at the University of Heidelberg in Germany.

The data suggests a layer of water between the moon’s rocky core and its icy mantle, possibly as deep as about 50 miles (80 kilometers) beneath the surface. As this water washes against the rocks, it dissolves salt compounds and rises through fractures in the overlying ice to form reserves nearer the surface. If the outermost layer cracks open, the decrease in pressure from these reserves to space causes a plume to shoot out. Roughly 400 pounds (200 kilograms) of water vapor is lost every second in the plumes, with smaller amounts being lost as ice grains. The team calculates the water reserves must have large evaporating surfaces, or they would freeze easily and stop the plumes.

“We imagine that between the ice and the ice core there is an ocean of depth and this is somehow connected to the surface reservoir,” added Postberg.

The Cassini mission discovered Enceladus’ water-vapor and ice jets in 2005. In 2009, scientists working with the cosmic dust analyzer examined some sodium salts found in ice grains of Saturn’s E ring but the link to subsurface salt water was not definitive. The new paper analyzes three Enceladus flybys in 2008 and 2009 with the same instrument, focusing on the composition of freshly ejected plume grains. In 2008, Cassini discovered a high “density of volatile gases, water vapor, carbon dioxide and carbon monoxide, as well as organic materials, some 20 times denser than expected” in geysers erupting from the moon. The icy particles hit the detector target at speeds between 15,000 and 39,000 MPH (23,000 and 63,000 KPH), vaporizing instantly. Electrical fields inside the cosmic dust analyzer separated the various constituents of the impact cloud.

“Enceladus has got warmth, water and organic chemicals, some of the essential building blocks needed for life,” said Dennis Matson in 2008, Cassini project scientist at NASA’s Jet Propulsion Laboratory in Pasadena, California.

“This finding is a crucial new piece of evidence showing that environmental conditions favorable to the emergence of life can be sustained on icy bodies orbiting gas giant planets,” said Nicolas Altobelli, the European Space Agency’s project scientist for Cassini.

“If there is water in such an unexpected place, it leaves possibility for the rest of the universe,” said Postberg.

Friday, February 19, 2010

The 2010 BRIT Awards, presented by the British Phonographic Industry, is an annual award ceremony for music artists. This year, the competition took place in the Earls Court Exhibition Centre in London, England. The event started taking place in 1980, with this year’s event being the 30th BRIT Awards. This year, the programme was broadcast live – although with a short delay to allow censorship of strong language – on ITV1 from 2000-2200 GMT on Tuesday. 5.8 million viewers watched it, which was an audience share of 21.9%.

The main presenter of the programme was British comedian Peter Kay, although various other celebrities also presented awards, including actor Andy Serkis, musician Melanie Brown, singer Shirley Bassey, television and radio presenter Jonathan Ross, actor Idris Elba, singer Geri Halliwell, television presenter Cat Deeley, comedian Alan Carr, singer Mika, fashion designer and film director Tom Ford, former glamour model Samantha Fox, musician Noddy Holder and musician and actress Courtney Love. Fearne Cotton was also a backstage presenter during the event. There was also an after show highlights programme broadcast on ITV2, immediately after the programme on ITV1 had finished, from 2200-2300 GMT. Presenting on the programme was Rufus Hound and Caroline Flack. BBC Radio 1 also had continuous official coverage on the station throughout the day of the awards, with disc jockeys Scott Mills and Greg James hosting a programme on the station at around the time of the award ceremony.

Various artists, all of which were BRIT Award nominees, performed during the ITV1 programme. Lily Allen, JLS and Kasabian were amongst the performers. American musician Lady Gaga said that “[t]his is for Alexander McQueen“, who died on February 11, 2010, before performing two of her tracks – Telephone and Dance in the Dark. Dizzee Rascal and Florence and the Machine performed a duet entitled You’ve Got the Dirtee Love, which was a merger of two songs – You’ve Got the Love, which was originally recorded by The Source and Candi Staton – and later covered by Florence and the Machine – and Dirtee Cash, which was originally performed by Dizzee Rascal.

After Jay-Z and Alicia Keys performed their song Empire State of Mind, Cheryl Cole performed her track, Fight For This Love, although the performance featured excerpts from Show Me Love, a track that was originally recorded by Robin S.

Lady Gaga won all three awards that she was nominated for, including “International female solo artist”, “International breakthrough act” and “International album”, the latter being for The Fame. In one of her acceptance speeches, she said: “Thank you, thank you so so much. I love my fans. Thank you. My fans in the UK, thank you.”

When accepting the award for “British male solo artist”, rapper Dizzee Rascal stated: “It’s about time as well.” Music group JLS were nominated for three awards and won two of them – “British breakthrough act” and “British single”. Group member Oritsé Williams stated in the acceptance speech: “We never ever thought this would happen, you’ve made our dreams come true.” Kasabian was given the award for “British group”. Lily Allen, who was wearing an orange wig during the award ceremony, received the award for “British female solo artist”. In her acceptance speech, she declared: “Oh my god. I only wore this orange wig ’cause I though it’d make it harder for them to find me, the cameramen, and catch my disappointed face.”

British group Florence and the Machine won the “Mastercard British album” award for the album Lungs. Florence Welch of the group accepted the award, stating: “Thanks so much for having me back. Cheers! […] There are so many people that help me make this album and so many people who supported it, people like you.” The award for “BRITs performance of 30 years” went to former group the Spice Girls for their performance of Wannabe/Who Do You Think You Are. The award for “International male solo artist” went to rapper Jay-Z.

Former British group Oasis were awarded with the honour of “BRITs album of 30 years”, for their album (What’s the Story) Morning Glory?. Former group comrade Liam Gallagher came onto the stage to accept the award and told the viewers: “Listen kids. I wanna thank Bonehead, Quiggs, Alan White… the best fucking fans in the world. Live forever.” He then threw his microphone and the trophy into the crowd and walked off the stage. Presenter Peter Kay then came on and said about Gallagher: “What a knobhead.”

At one point during the programme, a pre-recorded video with Prince Harry of Wales in it was shown. In the video, Prince Harry said: “You’ll be pleased to know that I’m not gonna sing, but only because I don’t want to show up the next act. The BRITs is a celebration of all that is totally outstanding and unique about British music. But what’s less well known about the BRITs is the fantastic work it does raising millions of pounds for the BRIT trust which has benefited thousands of young people to develop their talents and generally enrich our society. Well done on all you’ve achieved. I hope you have a fantastic evening.”

The “Critic’s choice” award was given to British music artist Ellie Goulding. The “Outstanding contribution award” was won by British musician Robbie Williams, who performed a medley of thirteen of his songs at the end of the programme – Let Me Entertain You, Supreme, Millennium, Feel, Everything Changes (originally performed by Take That, the group that Williams was formerly a member of), Angels, No Regrets, Bodies, Come Undone, Morning Sun, Rock DJ and Rudebox.

Below is a complete list of the recipients of the awards on Tuesday night. Please note that the awards list is not in order of when they were given out.

• British male solo artist – Dizzee Rascal
• British female solo artist – Lily Allen
• British breakthrough act – JLS
• British group – Kasabian
• Mastercard British album – Florence and the Machine – Lungs
• British single – JLS – Beat Again
• BRITs performance of 30 years – Spice Girls – Who Do You Think You Are
• International male solo artist – Jay-Z
• International female solo artist – Lady Gaga
• International breakthrough act – Lady Gaga
• International album – Lady Gaga – The Fame
• BRITs album of 30 years – Oasis – (What’s the Story) Morning Glory?
• Critic’s choice – Ellie Goulding
• Outstanding contribution award – Robbie Williams